Better known as Chip Douglas, another (mostly) unsung hero of the 60’s California pop scene. Chip began his career as a member of cult hero band Modern Folk Quartet (“This Could Be The Night”) along with Cyrus Faryar, Jerry Yester and photographer Henry Diltz. When The Turtles and their bassist Chuck Portz parted ways, Chip was asked to join the band. Chip’s first record made with the band was “Happy Together”. He did the arrangement and played bass. The song exploded knocking The Beatles’ “Penny Lane” out of the # 1 single spot on the U.S. charts. After watching Chip perform with The Turtles at the Whisky a Go Go, The Monkees’ Mike Nesmith asked Chip to quit The Turtles and become The Monkees’ producer. After producing one single which was unable to be released because of a contractual dispute, Douglas began as producer on The Monkees “Headquarters” album. Playing bass as well as producing the album, Douglas was there to inspire and support the band on their first effort as musicians on their own record. The band even cut one of Douglas’ songs called “Forget That Girl”. Douglas also produced and played bass on the band’s next album (Pisces, Aquarius, Capricorn and Jones) and continued on to their next album (The Birds The Bees & The Monkees) where he found, produced and played bass on “Daydream Believer” as well a few other songs on that album. After the recording of The Birds, The Bees & the Monkees, Chip returned to The Turtles where he produced and played bass on the album The Turtles present The Battle Of The Bands which yielded hits “Elenore” and “you Showed Me”..
What I love about Chip’s playing is that his parts are always in service to the song. On “Happy Together”, he is playing a pulsing bass line that stays pretty much on the root notes in the lower register. Chip’s picking style (evidenced on the “Happy Together” video) is an open handed first finger style. I’m sure on some of The Monkees tracks (especially “What Am I Doin’ Hangin’ ‘Round), he’s using a pick. Speaking of “What Am I Doin’ Hangin’ ‘Round”, check out the movement on that track. The bass really leads the track and there’s a lot of movement with some really sweet licks. It’s a part that really embeds in your mind and since I was a kid it’s a part so memorable that I used to sing in my head. He does an interesting variation at 2:35 and an amazing riff at 2:38. Contrast this with the sublimely less is more part on The Turtles’ “You Showed Me”. Here he’s very out of the way except on the end of each chorus. On The Turtles’ “Elenore” he locks in with the kick drum, but still goes off on a cool walking pattern on the chorus. In a world of giants like Carol Kaye, Ray Pohlman and Joe Osborn, Chip found his own melodic niche and gave the world some amazing bass tracks that just so happen to be some of my favorite songs of all time. As a producer, he was great at dropping in cool little sonic gift surprises that never get old even after hundreds or thousands of listens.
Suggested Chip Douglas bass listening:
Monkees:
Daydream Believer, What Am I Doin’ Hangin’ ‘Round, Hard To Believe, I’ll Spend My Life With You, For Pete’s Sake, You Told Me, Forget That Girl, Pleasant Valley Sunday, Daily Nightly, Don’t Call On Me, Love Is Only Sleeping, Door Into Summer, Words, Cuddly Toy,
The Turtles:
Elenore, Happy Together, You Showed Me
Published by jimswayoffbass
Jim Reilley of The New Dylans
Formed in 1986 in Warren, Pennsylvania, The New Dylans (James Reilley and Reese Campbell) recorded their eponymous debut EP in 1986 with the help of John Lombardo and Jerry Augustyniak of 10,000 Maniacs. Pressing up 1,000 vinyl copies, the duo sent the EP to names on a borrowed 10,000 Maniacs press list. Robert Christgau of The Village Voice ranked the EP among the top 5 EPs of 1987 in the prestigious Village Voice Pazz and Jop Poll of that year. R.E.M.'s Micahel Stipe chose The New Dylans as one of his favorite bands of 1987, and the band was also featured on BBC Radio One and MTV shows 120 Minutes and The Cutting Edge. The New Dylans played a handful of live shows in 1987 before breaking up at the end of that year. Reforming in 1992, James and Reese recorded demos of new material (Fester) before signing a record deal with Minneapolis based Red House Records in 1993. The New Dylans released two critically acclaimed albums on Red House (Warren Piece 1993) and (The American Way 1995). Demos for a possible third album were recorded in 1996 (Joe 6 Track), but the band never completed the actual album. The New Dylans earned rave reviews in Rolling Stone, Spin, Stereo Review, Audio, Pulse, CMJ New Music Report, Goldmine, Cd Review, Request, Sing Out, Dirty Linen and Leak magazines, and received generous radio airplay on the then burgeoning AAA/Americana radio format. The New Dylans were also featured on NPR's All Things Considered with Noah Adams, World Cafe, Acoustic Cafe, Vin Scelsa's Idiot's Delight and several guest spots on ex-Partridge Danny Bonaduce's Chicago Radio show on WLUP. Touring extensively throughout the 1990's, The New Dylans shared stages with The Band, Townes Van Zandt, Shawn Colvin, Richie Havens, The Fleshtones, Syd Straw, The Silos, Steve Forbert and 10,000 Maniacs.
After breaking up the band in 1998, Reilley moved to Nashville and signed a songwriting deal Curb Publishing. Reilley's songs have been recorded by many artists most notably Tim O'Brien, Sam Bush, Hal Ketchum, Vince Gill, and Jack Ingram. Reilley's music has also been featured in several movie soundtracks. Reilley released his first solo album "The Return of Buddy Cruel" in 2003. The album spent 3 months in the top 20 on the Americana Album Chart. The Return Of Buddy Cruel also garnered significant airplay on Acoustic Café, BBC Radio 1,BBC Scotland, Radio Golden Flash in Belgium, Real Roots Cafe Network in Central Europe, and BRTO's Crossroads in Bergen, the Netherlands whose host Jos Van Den Boom placed the album in his top 10 of 2003. Performing Songwriter and Paste magazines also ran feature articles on the album and The Tennessean called "The Return of Buddy Cruel" one of the top 10 albums of 2003 and the track "Won't Let You Make Fool Of Me" one of the top 10 songs of2003 in their year-end critics poll. Reilley's song "The Man Who Had Everything" was named to Karen Miller's (of BBC Scotland) "Best Of The Decade" list. Reilley eventually tired of the Nashville songwriting treadmill and turned his full attention to producing and also becoming a session bassist. Reilley has produced over 40 albums including some Kerrville and Merlefest award winners and played hundreds of sessions most notably with Sheryl Crow. Reilley is also a member of avant-garde experimental jazz outfit The Birdwatcher Experiment with Jerry Oliver and a rotating cast including Cheetah Chrome of The Dead Boys. A release expected in early 2021.
In January 2014, The New Dylans (now including ex-Wilco founder Ken Coomer and Chris Autry) began working on a new album of all original material, their first in 18 years. The new album entitled “Meta” was released to much critical acclaim in 2015. Nashville’s daily, The Tennessean, documented the entire process of writing and recording of “Meta” (https://youtu.be/daDqtoMrWCk). The band is planning to begin a new album in 2021.
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